Aside from reviewing this book, which is really nothing more than a collection of previously-published essays, I want to share how this book made me feel.
I love Vonnegut. Sirens of Titan, Galapagos, and so many others are up there with my all-time favorites, so it was saddening to be told, by the author himself, that he just isn't invigorated by being a writer. It simply pays the bills and his books are so out there because he's clinically depressed.
The essays are all over the place and are interesting enough - covering war, conservation, bits of Vonnegut's own life - all the biggies that appear in his fiction. He really has been around long enough to have met everybody. His name-dropping throughout surprised me more than once, but again, why did he not love what he wrote? Why did it seem to do nothing for him that his books blow people's minds?
I realize Vonnegut must have been a very complex person, and it's not like I can go and ask him all the why's that bubbled up after reading this book. Not only was his life full of so many different situations, his mental state affected his interpretations of the world around him, and he saw a lot of messed up stuff. Yet, I had hoped his non-fiction would bring me closer to him as a writer than I feel like I already am because of his fiction. As a writer myself, seeing inside the mind of writers I admire has always been such a special experience. This book didn't do that. He may be the first writer who I feel is completely unattached to his writing.
Mostly, Vonnegut reminds me of an older version of my Dad, born into my grandfather's generation, but imbued with the lack of trust in the world around them. I just don't know what I think of him now, but I refuse to let it lead me to love his works any less.
Death "lives" in Discworld, and he's having an identity crisis. Maybe he has been detached from humanity for too long, or maybe he's jealous of the complexity of life - either way, Death's solution is to take on an apprentice. When you're alive though, being Death's apprentice is a very strange place to be, and Mort definitely doesn't have an easy time of it. In fact, as Death delves deeper into his study of life, Mort is forced to pick up the slack. The one issue, Mort is still human (and alive) and humans make mistakes.
The cast of characters in this Discworld book are all a little but snotty or snooty - and it works. Of course, Death is full of himself and Mort is snooty in his ignorance of just about everything, but we also have a pair of wizards (think they're better than everyone,) a princess who would be Queen (snob,) and Death's living daughter (adopted.) They all have issues, but are brought together when Mort makes a major mistake on the job. He lets someone slated to die, live.
The fun storytelling, crazy action, and unique sense of humor that populates Discworld novels makes them all worth reading. It's an alternative world where anything can happen (and does,) and the ridiculous isn't silly, but funny and entertaining in an intelligent way. I've enjoyed every book I've read in this series, and especially enjoy being under no obligation to read them in order. Pick any title that sounds interesting and welcome to Discworld.
Other Discwold books I've reviewed:
I'm not really sure how to review this book. It was exactly what I'd expected it to be - a quick, light read of little significance. Nothing blew me away in the book, but I enjoyed the mental vacation while actually on vacation (spring break!)
Revenge picks up 10 years after we first met the "devil," Andy, and Emily. Although so much time has passed, Andy is still haunted by her experience at Runway magazine as Editor-in-Chief Miranda Priestly's second assistant. I've no idea why she's still plagued after so much time has elapsed. Her successful career as the Editor and owner of a bridal magazine should have been enough of an f-you to the past to empower Andy, but it looms and eventually gets right in her face when Runway's publishing company (and essential Miranda herself) want to acquire Andy's magazine.
There's more drama in the book, some that's simply in Andy's head, some in reality, with an unsurprising twist at the end that's meant to be a jaw dropper. The one thing that just didn't make sense through, throughout all the goings on is Andy herself. She hems and haws between a woman who gets the job done, who is capable, confident, and successful and a self-doubting, afraid-to-speak-up, passive person. It's almost like she's two different people and unfortunately turns off her confident self when it would do her the most good (except maybe at the end.)
But, like I said, even with its flaws, this book is exactly what it claims to be and was a much enjoyed break from the classic literature I spent the previous four months reading. I wasn't upset I took the time to read it, I just wish the lead character was a better version of a female. That Andy had a stronger voice through all the crazy situations she found herself in in the book.
If you're looking to read anything else by Weisberger, check out my review of Chasing Harry Winston, a fun beach read.
Finishing The Last Chronicle of Barset is really the end of a reading era for me. The entire Barset series consists of six books, and I've read every one. Not consecutively, obviously, but over the course of seven to eight years.
This series epitomizes my favorite genre of literature, where the excitement is in the daily lives of the characters - personality clashes, scandalous gossip, etc. Where the women and men primarily worry about property, money, and family. Where everything seems to happen in a muted melodrama, heavily-laden in dialogue with paragraphs of description that can be more than a page long. I realize how boring this might sound to most of you, but it's my literary sweet spot, and having this series to satisfy my Brit Lit craving has been wonderful.
This book is a tome - 861 pages of poor Mr. Crawley being accused of stealing a check (for hardly any money) and all the repercussions both of being poor and being a member of the clergy accused of a crime. It affects his family, his income, and it's all the people of the county and talk about. The incident though shows us what these characters are really made of - who's kind, who's cruel, who's lack of action is just disappointing, and it's really a fitting way to say good-bye to characters we've followed through so many pages.
Of course, no book from this era (1867) is complete without taking about love and this book has it all - lovers held back by outside forces, unrequited love, loving the one you're with, and love to ensure stability. There's also the steadfast love of Mrs. Crawley who stands by her accused husband through his whole ordeal, doing her best to support him. It's an incredibly busy story although not much action happens.
I could probably talk about this intricate fictional town for a long time. For me, so much has happened between the pages of this series, especially in this last book that it's too much to recap, but it's really not the plot that makes this, and other 19th Century books, so wonderful. it's the depth. The depth into the lives of regular people where what's going on may not really matter to us, but it matters to them. Instead of being all about the action or contriving extreme situations to force the characters through, Trollope is about the people and how they experience their unique versions of a regular life, and I absolutely love it.
I previously reviewed the rest of the books in this series. Click here if you'd like to take a look.
